mercredi 21 décembre 2016

A table of content

Students tell me that I did so many online courses that they don't find them easily.

Here is a list, with links :

1. FIPDES molecular gastronomy (in English)

The link is

In the courses given by H. This, you will find :
- the full course
- a How to work within this module (audio)
-  a group of methods, including
              - the method 1 3 9 27
             - a course on creativity
             - a course on reading documents
             - another "applied" course on innovation and creativity (Let's have an egg)
             - a document explaining why you would be wise to use Maple (or R)
             - another document on creativity, applied on pastry products
- a ppt on molecular gastronomy
- a group of particular courses, including :
              - a course on "coagulation"
              - a course on dimension analysis, applied to the duration of cooking, for a roast
              - an easy calculation of the distance between molecules
              - a course on dry matter determination
              - a group of courses on the formalism for the description of disperse (colloidal) systems, including :
                                    -  a first comprehensive course
                                    - a course focusing on operators
                                    - a course explaining how to find the possible disperse systems
             -  a course on formulation
             - an example intended to explain calculation, based on the maximum volume of whipped egg white from one egg (more than one cubic meter)
            - a course on the Laplace force
            - an introduction to the nano world
            - a group of courses on note by note cooking including
                                      - a lecture for the European customs (2012)
            - a course on sedimentation and creaming
            - a course on surfactants

2. Gastronomie moléculaire (in French)
This is a very large group, with many documents in French. Intended for all publics.
It is here :

3. Physico-chimie pour la formulation, structuration des aliments (both French and English)

The link is :
This group of documents is initially for the Master IPP, the common module with the FIPDES Master. As such, it includes documents in French, and documents in English. 

First, there is a groupe of courses on particular points :
- a text on the Laplace force in French
- a text on formulation in French
- a course on the Laplace force in English
- a course on surfactants in French

Then there are courses giving methods
In English :
- backbone calculation : this document is the one that one is invited to use when calculating, as explained in...
- how to calculate
- how to read: it was recognized that students are not always as efficient as they could be
- what you learn
In French:
- ce que tu pourras apprendre : in this particular environment
- comment lire
- enseignement scientifique et technologique : there is a difference between science and technology!
- methode du soliloque: very important when you have a problem
- penser en termes de chemin
- squlette de calcul.

dimanche 11 décembre 2016

From our friends in Ireland

Dear All,

Please find below a link to the newly created facebook page, Molecular Gastronomy Community Ireland.

Through the facebook page, we aim to highlight the Molecular Gastronomy activities and events which are happening in Ireland. Myself and my colleague Pauline are both editors of the facebook page and we would be delighted to post any Molecular Gastronomy activities you want to share. You can email us with photos, web links etc. at or
We hope you get a chance to look at the page and better still, contribute to it.

Best regards,
Róisín and Pauline,

School of Culinary Arts and Food Technology | Scoil Na Ealaíona Cócaireachta Bia agus Teicneolaíocht
Dublin Institute of Technology | Institiúid Teicneolaíochta Átha Cliath
Cathal Brugha Street | Sráid Chathal Brugha
Dublin 1 | Baile Átha Cliath 1
Ireland | Éire

mercredi 7 décembre 2016

Paperback Note by Note Cooking

Dear Friends

I am very glad to tell you  that the paperback edition of my book Note-by-Note Cooking is available for sale at Columbia University Press.
The book’s official publication date is December 13, 2016. This is the date when the book should be readily available for purchase.

The webpage for the book is
Anyone who uses the promo code “NOTEBY” to buy the book from this site will receive a 30% discount off the price of the paperback edition of the book.

Indeed Note by Note Cooking is developing in many countries now:
- Denmark is organizing Note by Note Dinners
- in Poland, a chef is now moving his restaurant toward serving Note by Note Cooking (already 3 dishes)
- I was invited first at the World Congress of WCA, then at the World Chef Summit for lectures explaining Note by Note Cooking
- startups are now created to sell products in order to make Note by Note Cooking

Indeed, 2017 should be THE year, finally !


samedi 19 novembre 2016

On line courses

My online courses ?

There are MANY things

- for the  international master program FIPDES :
- for the IPP Master program :

- and many others

lundi 31 octobre 2016

Delaying the melting of an ice cream

How to delay the melting of an ice cream, a sherbet, a sorbet ?

Melting depends on the thermal conductivity and of the heat capacity. But without changing the composition of the ice cream, one cannot change one or the other.

On the other hand, a foamy structure around the ice cream can be very protective. For example, if you heat some whipped egg white with a burner at 1000°C, a thermometer inside the foam shows that the temperature increases very slowly.

dimanche 23 octobre 2016

New publication

An open article is freshly published in the scientific journal called  Notes Académiques de l'Académie d'agriculture de France (N3AF).

N3AF-2016 (8) : Methodological advances in scientific publication by Hervé This

mercredi 28 septembre 2016

In a Turkish newspaper

Wednesday,September 28 2016, Your time is 15:43:00
The future of food: Step-by-step

Aylin Öney Tan -
[The future of food: Step-by-step]
He steps to the stage like a rock star. All the young chefs are on foot applauding. All the young chefs are on foot applauding. He is a hero. Hervé This is a hero for all chefs worldwide and he is not even a chef himself. As the keynote speaker at the World Association of Chefs Societies (WACS) Conference held in Thessaloniki, Greece, he takes over not only the stage, but also the hearts of chefs with his challenging speech. He will be repeating this sentence over and over again: I’m not a chef! Though he stresses this fact, I believe he is a true chef. If being a chef is about creating a dish, about creating an idea about food, thinking about the future of food and about how the planet will feed itself in the future, he is the ultimate chef!

This is physical chemist who works for the Institut National de la Recherce Agronomique at AgroParisTech, in Paris, France, a public institute dedicated to research of agricultural science. Apparently even the institute is not directly related to the culinary arts, but rather agricultural science. So how did he ever get to be the hero of chefs? Well, he coined the term “molecular and physical gastronomy” in 1988 with the late Nicholas Kurti, a Hungarian-born physicist whose hobby was cooking. Kurti was very enthusiastic about applying science to cooking and solving culinary problems with the aid of science. He also liked to play with the newly developed microwave. Back in 1969 at his talk in the Royal Society in London, he amazed the audience with his experimental reverse baked Alaska named frozen Florida, hot inside and cold outside, made in a microwave of course. Over the years he organized several workshops in Italy playing with the idea of molecular and physical aspects of gastronomy. After Kurti’s death in 1998, This shortened the term to “molecular gastronomy” and pursued working on the idea. He created the Foundation of Food Science & Culture and eventually the Institute for Advanced Studies of Taste. That is how a physicist becomes a hero of chefs.

Maybe he was meant to be chef. Listening to him, I cannot help thinking that he also belongs on the stage, a natural-born presenter. He likes shocking people and attracting one’s attention with unexpected comments. He bluntly said, “Molecular cuisine is old fashioned, it was 20 years ago,” amazing all young chefs that still think of molecular gastronomy as futuristic cooking. He likes to create unconventional expressions; he describes mayonnaise as “nanoscopic organization.” However, he trusts the experience of chefs, but prefers to explain what happens in the kitchen in scientific terms, such as: “Raspberry goes blue in a tin pan, it is a molecular organization. Chefs know this, not through their chemistry knowledge, but through experience.” According to him, what we eat are simply gels, liquid trapped in a cell. Whether artificial or natural, food is a simple or complex gel, he said. The audience seems to be a bit mesmerized about thinking of their meat or spaghetti as “a complex gel with dimension,” as he described. But he makes it all very clear and logical. His talk is like a crash course in “science for dummies.” As one of the dummies, I’m convinced that chocolate is also a gel.

As he continued his talk, he started to mix some powders in a bowl naming each powder as protein, casein, capsaicin, sucrose, sodium and so on. Of course all are scientific names of components that make up our food. Added to these components, he says there are 10,000 odor choices that make our food palatable. He makes the president of WACS sniff a flacon to show his choice of flavor: Olive oil. He pours some over his mix of dubious powders, makes a young chef whip the mix a bit, and tucks the whole thing in the microwave for a minute. The president remains reluctant as he tries to make him taste the awkward coagulated thing.
Here is the challenge. A chef can choose the shape, the consistency, the texture, the color, the odor, smell or flavor in his or her mind and create a food making use of compounds instead of using actual food like meat, fish, vegetables or fruit. As the ground keeps silent, he gave a mind-opening example from music. A synthesizer can create any sound in the world without using an actual musical instrument. Analyzing sounds made that possible. It was futuristic science once, now kids play with it. Cooking is like making music. Taste-by-taste, you create a dish, just like a composer creates music note-by-note. He introduced the idea of note-by-note cooking, taking molecules or compounds as raw ingredients, just as notes of sound in composing music: “If you use pure compounds, you open up billions and billions of new possibilities. It’s like a painter using primary colors or a musician composing note by note.” As he said with note-by-note cooking, the possibilities are infinite.

The idea behind the note-by-note cuisine is not to make food like music out of compounds of course. It is the concern about the future of the planet. The planet is facing an energy crisis, water is more precious than we think and it is simply crazy to keep transporting water in the form of food. He said the water content in food is incredible; tomato 95 percent, apple 85 percent, carrot 80 percent and so on and simply asked: Can we avoid transporting water? That is the challenge for cooks to answer. More so, thinking that a lot of this transported food is also being wasted, either on the way, at restaurants, at the supermarkets, or at homes. It is simply crazy!

He gave reasons and he gave hope. By using already extant techniques and knowledge of science, we can improve sustainability. At the 2011 International Year of Chemistry opening banquet they served real meat versus lab-grown meat. But he is not pure science. He acknowledges the emotion; he regards cooking as a unique combination of love, art and technique. He leaves it to the chefs to create the future of food by making use of science in the most responsible way made possible with the aid of science.

I must admit that I was intimidated by tasting the odd protein-casein mix whipped up by This and cooked in a minute in a microwave. It looked rather grim and unappetizing; as the color was not adjusted it was an uninspiring beige. But it smelled good, of pure olive oil, as he had splashed some oil to the mix at the last minute. Then I thought, “What the heck! When can I have the opportunity to taste a unique ‘Hervé This experiment’ ever again?” Putting my prejudice aside, I tasted a tiny bit. It was like an olive oil scrambled egg, actually better than the one I had at the breakfast buffet.

Thank you Hervé This. It will take time to digest this idea. But I’m sure as we enjoy music from our Spotify app, we will come to terms with enjoying a lab-constructed food based on compounds, not on animal or plant tissues; only bite-by-bite, and enjoy its taste note-by-note… It will just be step-by-step to adjust our minds to this new world of cuisine, and of course our cooking techniques and kitchens. Step-by-step, but it will inevitably happen!

jeudi 22 septembre 2016

Questions and answers

  This morning, interesting questions :

# Dear Mr. This,
# My name is XXXX, and I am from Hungary. I am writing to you because I would like to ask for your help. For from whom could I get more information about molecular gastronomy than the person who invented it?
# I need to write a four-page essay this year for my school, and for my topic I chose molecular gastronomy. I decided to write about this since I really like making and eating food, but I am also a huge admirer of chemistry, and also because in the future I would like to study something similar at University.
# I am aware that you are an extremely busy person but it would mean the World to me if you could answer a few question of mine.
# It was always hard for me to imagine how an idea which is so unique comes to a person’s mind. What interests me a lot is what your purpose was behind your research? Like most studies, was it a coincidence that you created a totally different food making line? If it was, then what was it that you were searching for?
# How much time went by between your first experiment and your first success?
# To be honest I am convinced that making food is some kind of an art, especially if you make it in a way you do. What is your opinion about it? How much of molecular gastronomy is art and how much of it is science?
# A lot of people now have restaurants where we can eat a meal cooked by your methods, using not only cooking skills and equipment but science. Is there anyone who you think represents molecular gastronomy better than the others? Who you think made it to the next step?
# At university I want to study Food Innovation and Health. It is my dream to work for an international company who tries to stop starvation in the poor areas of our world. Do you think we can reform molecular gastronomy to be not only a fancy product but a base for a nutritional plan?
# Sincerely,

# My answer : 

# Thanks for your message. If you are in Hungary, it's good that you know that we created molecular gastronomy together with my late friend Nicholas Kurti, who was educated in Budapest before moving to France, Germany, the US, and finallly England (Oxford). He died in 1998.
# Now, I comment your kind email (sorry, I always comment, often with smiles) :
# You like cooking and eating : why ? (for myself, I have found the real reasons... and I am not so sure that I would say that I  like cooking and eating, indeed)
# A  huge admirer of chemistry: do you me an chemistry as a technique, or rather the science of chemical phenomena, which should be called physical chemistry  or even better chemical physics ?
# What was and what is my goal? Since I am 6 years old, I am fascinated by  the fact that equations can describe the experimental facts so remarkably.
# And the 23rd of March 1980 precisely, I understood thaot cooking was a very old fashioned and traditional practice, for which the  three components of technique, art and social were not distinguished, for which bad advices ("culinary precisions") were transmitted, for which the education was outdated, for which a lot of theory could be done, for which technical improvement (technology) could be proposed, and, moreover, for which a science could be introduced, focusing on the wealth of phenomena occurring during culinary processed.
# This science is molecular gastronomy (in the beginning, it was called "molecular and physical gastronomy", but  this was cumbersome.
# Indeed, at the same time, the proposal of transferring new tools from labs to the kitchens led  to  the development of molecular cooking (new technique), which led itself to a new art called molecular cuisine.
# Please,  be careful not confusing molecular gastronomy with molecular cuisine or with molecular cooking, as all this is different : cooking is no science.
# Like most studies, was it a coincidence that I created a totally different food making line?
# Indeed here the confusion above can be observed. When I began my works, it was because I failed making a particular soufflé, and this led me to the analysisof the failure. Is this coincidence? Probably not. I had a scientific mind, and a failure meant that my "theory" (indeed, here, an absence of theory) was wrong. So  that it was obvious that I should investigate further.
# Later, because I recognized that science could apply to some very old and traditional activities, it was obvious to propose the application of lab's tools to cooking... because this was indeed what I was doing, having at home a lab in my kitchen.
# How much time went by between my first experiment and my first success?  Sorry, but I don't understand the question. My very first experiment was the 23rd of March 1980... but the result was obtained immediately. It was about souffles, and it was immediately followed by a collection of culinary precisions, being tested one by one since.
# Cooking and art: this is discussed extensively in my book "Cooking, a quintessential art". Indeed the title of the French version is "Cooking, it's love, art and technique".  But indeed some culinary activities are simply craft, technique, and others are art. Just like for painting: some paint the walls, and some others do paintings for the mind.
# How much of molecular gastronomy is art and how much of it is science? Here it's clear : there is nothing about art in molecular gastronomy as molecular gastronomy is a scientific activity... but I know that the answer is wrong because the question is wrong: you confused molecular gastronomy and molecular cooking/cuisine. And for cooking/cuisine, it is the same for any kind of cooking: craft and art depending on the particular goal of the particular practioners.
# Is there any restaurant who you think represents molecular gastronomy better than the others? Remember the confusion between molecular gastronomy and molecular cuisine: no restaurant does molecular gastronomy, but many (most of them indeed) do molecular cooking. For molecular cuisine, Ferran Adria was important, but René Redzepi also... but again, molecular cooking is everywhere. And this has no interest... because of the next step: note by note cooking !
# Molecular cuisine is the past, and "note by  note cooking" is THE important think. Aund you will see in my book about it that it is the solution to you lask question. 
# Cheers, celebrate Knowledge !

vendredi 19 août 2016

Cuba, summer 2016

Maria Ester and her colleagues organize the next workshop Molecular Gastronomy, on 13 September, in the Cohiba Hotel.

Have a nice summer

mardi 28 juin 2016

Low temperature cooking of vegetables

Being asked about  "low temperature cooking of vegetable", here is an analysis :

What happens when vegetables are cooked at low temperature?

Indeed for the sake of the discussion, it's good to consider that plant tissues are made of cells, which are soft object, full of water and limited with a fragile membrane. They are cemented with the cell wall, i.e. pectins and celluloses: one can regard cellulose molecules as strong, chemically inert pillars, and pectins as ropes that are entangled around the pillars, so that they keep the cells together.

When the plant tissues are boiled, a chemical process called beta elimination of pectins occur: the pectins "ropes" are cut, piece after piece, so that the pillars can separate, and the cells also. This  is why the plant tissue becomes soft.
# Of course, some others phenomena occur, such as starch gelatinization, above about 80 Celsius degrees.
This can occur in water or outside water, but of course outside water some evaporation occurs as well, which means the formation of a crust. And when the temperature + time is enough, various chemical processes can turn the plant tissue brown, such as hexoses degradation, Maillard reactions (but few), oxidation, pyrolysis, caramelization (remember that plant tissues are full of the three sugars glucose, fructose, sucrose), etc.

Another important piece of information is needed when low temperature cooking is considered: at low temperature, some particular enzymes called pectin methyl esterase are activated, so that the provoke the leaking of calcium from cells... and this makes the plant tissues harder because the calcium ions link to pectins and prevent further pectin disruption. This can be seen by a wonderfully simple experiment of heating first carrot slices in water at 50 °C : the carrots don't change apparently. Then when you  boil the carrots, they don't soften as they would do during boiling.
And this effect occurs frequently during low temperature cooking, with different temperature threshold depending on the particular tissues that you consider. Cooking in "hard" water, with a lot of calcium ions, can also have this effect: in certain waters, lentils don't soften, even after hours of boiling.

If you can find on line the PhD document by my former student Anne Cazor, some more information is given. But the most important is given here.

Finally, I would say that I don't really see the interest of low temperature cooking of vegetables... because the goal of low temperature cooking was limiting the protein coagulation of meats, avoiding them being hard, and the slow dissolution of collagenic tissue, so that hard meat can be transformed into tender meat. For plant tissue, the issue is often to make them soft when they are hard, and there is no harmful effect of high temperature, only the process is accelerated.
Only for particular processes low temperature is helpful, for example when you  want to make non soft gherkins, for pickles, for example. Or when too  soft plant tissues have to keep some hardness (some varieties of potatoes, for example), etc.

samedi 11 juin 2016

The results of the 4th International Contest for Note by Note Cooking


International Contest

 for Note by Note Cooking

Paris, June 10, 2016

Topic: cellulose, cellulose derivatives and compounds with trigeminal effects.

The 10th of June 2016, at AgroParisTech, candidates from more than 20 countries showed their works to a jury including :
● Thierry Mechinaud, Restaurant Pierre Gagnaire, Paris, France
● Patrick Terrien, ex chef of the chefs of the Cordon bleu School
● Sandrine Kault, Louis François Company
● Yolanda Rigault, organizer of the contest
● Hervé This, AgroParisTech-Inra International Centre for Molecular Gastronomy

Prizes were given in three categories

Category Chefs :

First Prize:
Guillaume Siegler, chef of the Cordon Bleu Tokyo, Japon

Second Prize
Emmanuel Roux-Var, Manager, chef, teacher for sous vide ccooking, Ecole Pralus, France.

Category Amateurs :

First Prize
Eric Olivier Lermusiaux, France

Category Students:

First Prize ex aequo :
Michael Pontif, Chimie ParisTech, France
Sophie Dalton, Dublin Institute of Technology, Dublin, Ireland

Second Prize
Etienne Laborie, Chimie ParisTech, France

Third Prize :
Rohit, Student of the Master Erasmus Mundus Food Innovation and Product Design, India
Alice Payrault, ISIPCA, France

The recipes (with picctures) will be show day after day on the internet site

Thanks to our partners
Mane SA Louis François

jeudi 3 mars 2016

Other Q&A

This morning, some questions. Here are my answers, with comments :

In an answer to a question on your website about DSFs, you mention that dimension "does not mean size, but the number of parameters that you need to describe a system." You give mayonnaise as an example: D0(O)/D3(W). Why does the oil occupy 0 dimensions as opposed to the liquid water phase that occupies 3? What are the parameters pertaining to a given phase?

Here, I have to explain, in order to avoid my friends going first on other pages, looking for explanations on DSF.
DSF stands for "disperse systems formalism", i.e. a kind of algebra that  can be used in order to describe the physical organization of colloids, that is systems such as foams, gels, emulsions, suspensions...
In this formalism, one describes objects by their "physical dimension", and the nature of the "phases" (gaz, liquid, solid...), including the relationship between the constituants.
The  dimension is indeed the traditional mathematical object. A dot has dimension zero, a line  dimension one, a surface dimension two, a volume a dimension 3, and there  can be non integer dimensions, such as for fractals.
In a mayonnaise : the sauce itself is certainly 3 dimensional. The continuous phase is water (W), which  means that the  sauce formula begins with D3(W°. Now, if you look at it, you see that there are oil droplets are dispersed in the water phase. But the oil droplets are "physically" of dimension 0, because they are more than one order of magnitude smaller than the reference size, i.e. the  radius of the  sauce. And these droplets D0(O) are randomly dispersed in the water  sauce, hence the formula.

Given a random dispersion system formula, how would you go about interpreting that into a physical manifestation (a dish)? How do you interpret each operation––specifically inclusion, superstition, and intermixing?

I don't understand the question. Can you explain what  you mean ?

As a study of the science regarding cuisine, what distinguishes the molecular gastronomy from the scientific field of food science?

This is very clear, and there are obviously historical reasons. If you look to any Food Science textbook, such as the Food Chemistry (Springer), you will never see "real food", such as coq of vin, poisson braisé, etc. The only topics being discussed are food ingredients, or food processes of the industry. See this explained in more details in my article of the Accounts of chemical research.

Did the Futurist Ideology regarding future food consumption (as Marinetti predicted in the Cucina Futurista) inspire your concept of Note-by-Note cooking in anyway? How did your work in the fields of food science and molecular gastronomy influence this idea?

No. I don't have time for this. The idea of note by note cooking is explained in my book on the topic.
By the way, in  some posts of my blogs you will see that  there could be more, such as injecting sensations into the brain, without eating physically. This is very exciting, but I shall not work on it.
And I don't understand clearly the second question here.

In many of your lecture demonstrations, you use flavor compounds in powder form. What are the processes of extracting flavor or odor molecules from ingredients––like basil, or olive oil for example? Are there any methods that can be used at home with basic supplies?

Compounds responsible for  taste or odor, or trigeminal can be solid or liquid (for gases, the amount of material is too small).
The process of extracting? It depends on the particular compounds. Some can be recovered by distillation, other by membrane filtration, etc.
At home ? Who would you mind extracting at home, as you don't do  it for sugar or salt ? Of course, you can if you have the equipment, but supercritical CO2 is expansive. Rotary evaporators are now in some kitchens.

Seeing that you have greatly impacted the development of molecular gastronomy/cuisine/Note-by-Note cooking, why don’t you consider yourself a chef?

Why  I don't consider myself a  chef ? Because a chef cooks professionnally. If I would open a restaurant, I am quite sure that I would do well, but I also know that I am a dwarf, artistically, compared to my friend Pierre Gagnaire. I am no artist, even if my technique is probably  better than the technique of all chefs (remember one invention per  month for more than 15 years, and I can make 40 liters of whipped egg white from one egg). I cook daily for my family since I am  6 BUT I am not interested in all this.
My life is physical chemistry, equations, science, enlarging the realm of knowledge, of scientific knowledge. For me, technique  and technology (even my own inventions) are nil ! My only proudness are some scientific results that I was able to get. My job, for which I am paid, is  physical chemistry... and now that I answered, I am coming back VERY FAST to my equations and calculations. 

mercredi 17 février 2016

Maria Esther Abreu, in Cuba, was honored for what she is doing with chefs : seminars on molecular gastronomy.

The next seminar on molecular gastronomy in New York

Experimental Cuisine Collective
Experimental Cuisine Collective
February 2016 meeting
Upcoming ECC Events
We are busy planning our 3 spring meetings! Consult our website for updated meeting dates and times.
Quick Links

Hello all,
The February meeting of the Experimental Cuisine Collective will take place Monday, February 29, from 4 to 6 p.m. in the indoor farm of the Institute of Culinary Education, Brookfield Place, 225 Liberty Street.  
Click here to download a PDF with subway, parking, and general directions. You will need a photo ID to access the building.

The meeting will center around ICE's indoor 540-square-foot farm, designed by Boswyck Farms, which has 3,000 plant sites and in which 22 crops are currently growing. David Goldstein, one of its designers from Boswyck, will discuss the farm's installation and other questions around indoor farming.  

Please RSVP at A link is also posted on our website. If you RSVP and can no longer make it, please let me know right away so that your seat can be released---thank you!  
All my best,


Anne E. McBride
Director, Experimental Cuisine Collective 

The Experimental Cuisine Collective is a working group that assembles scholars, scientists, chefs, writers, journalists, performance artists, and food enthusiasts. We launched in April 2007, as a result of the collaboration of Kent Kirshenbaum of the chemistry department and Amy Bentley of the nutrition, food studies, and public health department at New York University with Chef Will Goldfarb of WillPowder. Our overall aim is to develop a broad-based and rigorous academic approach that employs techniques and approaches from both the humanities and sciences to examine the properties, boundaries, and conventions of food.

Visit the ECC online at 

Experimental Cuisine Collective, New York University, 411 Lafayette Street, 5th Floor, New York, NY 10003
Sent by in collaboration with
Constant Contact

dimanche 3 janvier 2016

The gelification of oil

I am frequently asked about how making "solid oil", in particular by friends from olive oil producing countries.

There are many solutions about this, but one is making a "graham" (an invention I did many years ago), in this way :
1. take some water
2. add some coagulating proteins (egg white, for example)
3. add oil while whipping, in order to make a firm emulsion
4. cook for some dozens of seconds in a microwave oven
5. dry at lot temperature.

And this is called a "graham".