vendredi 14 avril 2017

Another teacher of the Hautes Etudes du Goût : Sidonie Naulin



Every week, I am happy to tell you about the teachers of the Institute for Advanced Studies in Gastronomy, Hautes Etudes du Goût.

This week  : Sidonie Naulin





Sidonie Naulin is assistant professor of sociologie at Sciences Po Grenoble and in the Pacte Laboratory. She is studiying economic sociology, media sociology and food sociology.

A former students of the Ecole Normale Supérieur, with an agregation in social sciences, she did her PhD at the University Paris Sorbonne on food critic, trying to understand how is produced the information about food.
This PhD was published as a book in June 2017 (Presses universitaires de Rennes). From discussions, interviews, observations and a quantitative survey of text statistics, this book deals with the environment of culinary and gastronomic journalism. This history of this activity is done, and its current market is analyzed. Some chapters deal with particular biographies, daily work and celebrity analysis of some food critics, envisioning also  the new competitors who are food bloggers.

Today, she is interested by the biographies of chefs. She is participating to the ANR Capla project, in which she is doing a survey of chefs cooking in homes using internet sites for making contacts with customers.
She is going to study the biographies of cooks from data given by the LinkedIn social network.

mardi 11 avril 2017

The Iqemusu company is on the road. Champagne !




Iqemusu, the first society to sell pure tasting notes for
avant-garde chefs, launches its store: www.iqemusu.com

Note-by-note cooking is now available to any chefs in 
the world. Iqemusu launches its website and presents its first range, composed by 24 culinary notes related to the smell. Each chef can now sublimate its dishes thanks to various olfactory experiments. Grab a bottle and let yourself be carried away by the scents that open the doors of a world to be built.

Go to iqemusu.com to ask for our catalog and pre-order
online the first notes of a culinary universe free from any
taste barriers.

All pre-orders will be shipped on April 24th.
 
 
May I repeat that I don't get a penny for this kind of announcement, nor in the company. But I shall promote any note by note initiative

jeudi 6 avril 2017

Remarkable teachers for the Hautes Etudes du Goût : Pascal Schlich

Pascal Schlich teaches at the Hautes Etudes du Goût :






Pascal Schlich is a director of research with the INRA and the scientific leader of the ChemoSens platform at the Centre des Sciences du Goût et de l'Alimentation in Dijon. He holds a Ph.D. in statistics from the University Paris XI and the accreditation for tutoring Ph.Ds from the Burgundy University. His research deals with sensometrics (statistics for sensory sciences) and the study of consumer preferences. Pascal Schlich has signed or co-signed a hundred of scientific articles or book chapters and is the co-inventor of the TimeSens® software. He teaches sensometrics at AgroSup Dijon, ENSAI Rennes and Montpellier University and is an international consultant for several industries.

Sensory profiling is a technique of sensory analysis recording attributes intensities, but providing no indication on the sequence along which these attributes are perceived. Pascal Schlich and his team developed the Temporal Dominance of Sensations (TDS) method about 12 years ago to fill in this gap. In TDS the subject is asked to indicate at any time the “dominant” attribute, the one trigging his/her attention, not necessarily the most intense one.
TDS has become a reference method in sensory analysis. Contrarily to sensory profiling, it can be used with no training, thus by consumer panels. It makes it possible to pair TDS to dynamic recording of liking, satiation and emotions along the consumption of the full portion of a food or beverage in order to identify the temporal drivers of these three features.

mardi 4 avril 2017

Very happy !

Dear Friends
Very happy to tell you the creation of a company selling note by note products  !

See :

Cheers

samedi 18 mars 2017

Joel Doré is teaching at the Hautes Etudes du Goût

Every week,  I have the pleasure to tell you about a colleague who is teaching at the Institute for Advanced Studies of Gastronomy.
This week :




Joel Doré





Research Director at INRA, Joël Doré is Scientific Director of MetaGenoPolis, a Unit of the Micalis Institute “Food and Gut Microbiology for Human Health”. Joël Doré joined INRA in 1983 and received his PhD from the University of Illinois at Urbana-Champaign, USA, in 1988. He developed a unique expertise in the field of intestinal microbiology. He aims to contribute to a better understanding of the host-microbiota symbiosis in order to support therapeutic choices in the medical area, as well as science-based recommendations in health nutrition.

In his HEG class entitled "Man-microbe symbiosis : I am what they eat...", Joël Doré presents the current vision of the human intestinal metagenome and highlights insights it has provided towards the current understanding of the importance of the microbiome in nutrition and health, particularly for chronic inflammatory and metabolic diseases. He presents an extension of the dysbiosis concept that confers a central role to man-microbe symbiosis, with potential implications in health-nutrition and translational research.

mercredi 15 mars 2017

Next week, a Note by Note Dinner served at the Sofitel of Buenos Aires



Events in Uruguay and Argentina



  1. Programme en Uruguay et Argentine

  2. de Monsieur Hervé THIS


    1. Du 19 au 25 mars 2017



Dimanche 19 mars

13h20 Arrivée à Montevide

20h Dîner chez Juan Pablo Clerici Magri avec M. Philippe BASTELICA, ambassadeur de France en Uruguay


Lundi 20 mars

9h30  Interview avec le quotidien EL PAIS Uruguay (avec interprète)
10h00 Master Class au restaurant 1921, Hôtel Sofitel Carrasco
Avec des chefs et membres de la Asociacion gastronomica del Uruguay
Adresse : Rambla Républica de México, 11500 Montevideo


17h Conférence à destination de la communauté scientifique
« Résultats récents en gastronomie moléculaire, et applications dans la cuisine de demain (cuisine note à note) »
En français avec traduction simultanée en espagnol
Adresse : Faculté d’ingénierie, Av. Julio Herrera y Reissig 565

20h Cocktail d’ouverture du mois de la Francophonie
Adresse : Bibliothèque Nationale


Mardi 21 mars

11h Conférence grand public
« La cuisine note à note est la dernière tendance culinaire, et pour longtemps! »
En français avec traduction simultanée en espagnol
Adresse : Alliance Française, Bd Artigas 1271

Soir Diner « Goût de/Good France » à la Résidence de France


Mercredi 22 mars

Départ de Montevideo pour Buenos Aires 

19h Cocktail avec la presse spécialisée, lieu : salon du Sofitel Arroyo


Jeudi 23 mars


12h Entretiens avec la presse ; lieu : Sofitel Arroyo, Bibliothèque

13h Déjeuner à l’invitation de M. l’Ambassadeur de France pour 12 invités VIP

16h Rencontre avec  les membres de l’Association argentine de cuisine moléculaire (contact Dr. Mariana Koppmann) ; lieu : Centre Culturel de la Science, Pôle scientifique et technologique, Godoy Cruz 2270

17h Rencontre à confirmer avec Université Nationale de San Martín (UNSAM ) ; lieu : idem antérieur

18h Conférence publique et démonstration, au Centre Culturel de la Science  :
Qu’allons-nous manger demain? La cuisine « note à note », une application de la gastronomie moléculaire »
Adresse : Amphithéâtre, Pôle scientifique et technologique, Godoy Cruz 2270

21h Dîner commenté : Menu « note by note », à l’Hôtel Sofitel Arroyo, Restaurant Le Sud



Vendredi 24 mars
(jour férié en Argentine)

15h Master class à The Brick Hotel (Association Lucullus, presse, …)
Adresse : Posadas 1232, Buenos Aires

17h Rencontre avec les Associations Lucullus et Acelga au Palais Duhau Park Hyatt Hotel
Adresse : Avda Alvear 1661, Buenos Aires


Samedi 25 mars

14h Départ

mardi 14 mars 2017

Professors at Advanced Studies on Flavour (Hautes Etudes du Goût) 4

Every month, I have the pleasure to tell you about the wonderful teachers of the Hautes Etudes du  Goût.


This week,





Denis Saillard






Denis Saillard is an historian, professor of modern history. In 2000, he joined the Centre d’histoire culturelle des sociétés contemporaines (CHCSC) of the University of Versailles/Saint-Quentin (UVSQ, today in Paris Saclay University). 
He is a specialist of cultural history of food, a field in which the food representations and social practices are included. In 2011, Denis Saillard published his results in this area in   Gastronomie et histoire culturelle, published by the European Institute for Cultural History. 
He is co-director of two international workshops:  in 2005, Gastronomie et identité culturelle française. Discours et représentations (XIXe-XXIe siècles) ; in 2010, Le Goût des autres. De l’expérience de l’altérité gastronomique à l’appropriation (Europe, XVIIIe –XXIe siècles).
For four years, he is running a seminar inviting scientists from all disciplines with a link to food, and from all countries. Half the sessions are at the Bibliothèque historique de la Ville de Paris (BhVP), and others are in particular places of interest.
Denis Saillard is giving lectures in France and abroad: Canada, Royaume-Uni, Italie, Allemagne, Belgique, Estonie, Roumanie, etc.

A selection of 10 publications

* « Culture gastronomique et alimentation de demain », in Gilles Fumey (dir.) L’alimentation de demain, Paris, CNRS Editions, coll. « Les Essentiels d’Hermès », 2016, pp. 47-68.


* « Food and Gastronomy in the Universal Exhibitions 1851-2015 (Alimentation et gastronomie dans les expositions universelles 1851-2015) », in Germano Celant (dir.), Arts and Foods, catalogue (en anglais et en italien) de l’exposition de la Triennale de Milan (Exposition universelle 2015), Milan, Electa Mondadori, pp. 40-61.

* « A la recherche du “moi gastronomique”. L’œuvre de M. F. K. Fisher », Revue de la BnF, n° 49 « Gastronomie : du Sens aux Sens », 2015, pp. 6-10.

* « La Cuisine de l’Autre. Echanges et rivalités dans les relations gastronomiques franco-anglaises du XVIIIe siecle à nos jours », in Diana Cooper-Richet et Michel Rapoport (dir.), Nos meilleurs ennemis. L’entente culturelle franco-britannique revisitée, Neuilly-sur-Seine, Atlande, 2014, pp. 100-129.

* « Entre Europe orientale et Amérique du Nord : l’invention de la gastronomie juive dans le Paris de l’entre-deux-guerres », in Cylvie Claveau, Stanislaw Fiszer et Didier Francfort (dir.), Cultures juives. Europe centrale et orientale, Amérique du Nord, Université du Québec à Chicoutimi ; Paris, Le Manuscrit, 2012, pp. 521-542.

* « L’artification du culinaire par les expositions (1851-1939) », Sociétés et représentations, vol. 34, automne 2012, pp. 71-84.

* « Vin et gastronomie : identifications culturelles », Rencontres du Clos-Vougeot 2010, Des hommes et du vin : le vin patrimoine et marqueur d’identité culturelle, Dijon, Centre Georges Chevrier, 2011, pp. 157-168.

* « Nourritures et territoires en Europe. La gastronomie comme frontière culturelle », Eurolimes, Journal of the Institute for Euroregional Studies (“Jean Monnet” European Centre of Excellence, University of Oradea / University of Debrecen), n° 9, 2010, pp. 127-139.

* « Turin et le Piémont, l’invention d’un haut lieu gastronomique », colloque Gastronomie et rayonnement touristique : contribution à l’étude des hauts lieux et capitales gastronomiques XIXe-XXIe siècles (dir. Julia Csergo et Jean-Pierre Lemasson), Université de Lyon II et Université du Québec à Montréal, Lyon, 5-6 décembre 2006 ; Voyages en gastronomies. L’invention des capitales et des régions gourmandes, Paris, Autrement, 2008, pp. 220-232.

* « La cuisine », in Jean-Pierre Rioux (dir.), Dictionnaire de la France coloniale, Paris, Flammarion, 2007, pp. 759-764.


dimanche 5 mars 2017

Why the name "note by note cooking"?

"Note-to-note cooking" is truly a "synthesis cooking", as electroacoustic music is a "synthesic music".


Historically,
- two centuries ago, music was played with instruments, producing characteristic, limited, specific sounds: the winds are the winds, the brass are brass, and so on. And at the same time, the humankind cooked with ingredients that gave characteristic, limited, specific flavours: carrots taste like carrots, lamb taste like lamb, and so on.

And then, about a century ago, physicists learned to decompose the sounds into pure sound waves, of particular frequency; It was learned that there were "fundamentals" and "harmonics", but above all it was understood that the timbre was due to particular groups of sounds. At the same time, the chemical sciences began to explore the composition of food ingredients: water, pectins, cellulose, sugars, amino acids, etc. were found in plant tissue. And it was understood that the meat was made of water, protein, & c.

- half a century ago, the advent of electronics, then computer science, allowed the development of electroacoustic music: one could finally produce any sound, synthesis, any rhythm, any music, without limiting itself to the performances of a human playing a classical instrument. What about cooking? It had not changed.

- today, a child who has a synthesizer (20 euros in a toy store) can compose any music ... and it is only now that introduces the "synthesis cooking", called  note by note cooking.


Why this name of " note by note cooking"? For historical reasons. 


 Indeed, after the creation of molecular gastronomy, there was confusion, especially in the Anglo-Saxon world, with "molecular cuisine". I had to fight (and it was not over) against the confusion, which was due in particular to the fact that:
- the word "gastronomy" is often confused, wrongly, with the word "cuisine d'apparat"
- some cooks pretended to do molecular gastronomy ... because the thing was fashionable, attracted journalists, made buzz ...
In short, it was in 1999 that I began to say all over the world that there was a difference between "molecular gastronomy", which is physico-chemistry, and "molecular cuisine", i.e. cooking using modern utensils.

However, around 2002, looking for a name for synthetic cooking, I wanted a terminology that moved away from science ... because cooking has nothing to do with science. Having then in the idea that cooking is an artistic activity, I sought a name that would say this relationship with art, rather than with science. And since there was this comparison with music, which is an art, I proposed "Note by note cooking".
Note that this word is a little faulty, because one should say " wave to wave cooking", but it was also about having a name a bit engaging.
Of course, the terminology of "synthetic" will perhaps be used, in place of " note by note cooking" ... but it does not matter: I do not sell anything!

mercredi 22 février 2017

Professors of the Advanced Studies in Gastronomy 2

On ste souvient (peut-être) que j'ai décidé de mettre en valeur les enseignants de l'Institut des Hautes Etudes du Goût, de la Gastronomie et des Arts de la Table
Last week, I presented  Sylvie Lortal. Now I have the pleasure to tell you that our educational program includes courses by  Jean-Philippe de Tonnac.


Jean-Philippe de Tonnac is an essayist, editor and journalist. He was in charge of special editions for the Nouvel Observateur magazine for almost 10 years, and has published about twenty books. Today he works as an editor and continues his own research. His investigation into bread and its symbolism began by obtaining a diploma in baking (2007) after a training course at l’Ecole de Boulangerie et Pâtisserie de Paris, a tour of the ‘bread-eating’ Mediterranean countries (Egypt, Greece, Italy, etc.), and discussions with representatives of the wheat to-flour and bread industry.

In 2007, he took the lead in a Universal dictionary of bread project aiming to collect all the entries that bread has generated since its appearance on the edge of the eastern Mediterranean area in the late Neolithic period (from agronomy to theology including genetics, botany, anthropology, history, milling, bakery, economics, arts, and more).
He has since co-written Le Larousse du pain (2013) et L'Ami intime - Un musée imaginaire du Pain (2014)


Jean-Philippe de Tonnac est essayiste, éditeur et journaliste. Il a animé pendant près de dix ans les "Hors série" du Nouvel Observateur et publié une vingtaine d’ouvrages.
Il est aujourd’hui éditeur et poursuit ses propres recherches.
Son enquête sur le pain et sa symbolique a commencé par l’obtention d’un CAP de boulanger (2007) après une formation à l’Ecole de Boulangerie et Pâtisserie de Paris, des séjours en Méditerranée dans quelques-uns des pays de « mangeurs de pains » (Egypte, Grèce, Italie, etc.), et la rencontre et des échanges avec quelques-uns des représentants de la filière blé-farine-pain.
Il a pris en 2007 la direction d’un Dictionnaire universel du pain avec l’ambition de rassembler toutes les gloses que le pain a générées depuis son apparition sur le pourtour oriental de la Méditerranée à la fin du Néolithique (de l’agronomie à la théologie en passant par la génétique, la botanique, l’anthropologie, l’histoire, la meunerie, la boulangerie, l’économie, les arts, etc.).
Depuis, il a notamment co-rédigé Le Larousse du pain (2013) et L'Ami intime - Un musée imaginaire du Pain (2014)

jeudi 16 février 2017

Professors of the Institute of Advanced Studies in Gastronomy



 Do you know the Institute for Advanced Studies in Gastronomy ? This is a unique university programme about food, with no equivalent in the world !

The professors are chosen among the best in France in the field of food research. And this explains why, after more than ten years  of activity, our Institute is so successful, with participants from all over the world.

Now, I decided to present some professors (one per week). Today :




Sylvie Lortal is senior scientist at Inra. For 25 years, she has been having fundamental and applied research on the mechanisms of cheese ripening, on the in situ activity of micro-organisms and their  enzymes, and on the  biodiversity of technological properties of lactic and propionic bacteria. For her work, she was awarded  the Award de l’American Dairy Science Association in 2011.
For 8 years, she was the director of the  UMR Science et Technologie du Lait et de l’œuf of Inra in  Rennes, france (https://www6.rennes.inra.fr/stlo)  and co-editor of the Oxford Companion to cheese (2016-Oxford univ. press), a unique encyclopedia about cheese. With a passion for fermented food, their particular place in human food, and for  the biodiversity of microbial ecosystems, she created in  2006 a Centre de Ressources Biologiques « Bactéries d’intérêt alimentaire » (CIRM-BIA), collection of micro-organisms certified  ISO 9001 (4000 product) – member of the national network  Biobanque, CRB, of which she is now a scientific adviser.
Again in the field of microbial databank, she was the coordinator for Inra of the European Project of  Infrastructure EMbaRC (FP7 – 2009-2012).
Today, she has a mission for the Department Microbiologie et Chaine alimentaire of Inra. She is intended to create a European network managing a collective reflection on the place and the nutritional benefits of fermented food in the European diet. Also she is doing research on biofilms lying on the traditional tools used for cheese making

samedi 21 janvier 2017

Using seaweeds

How to use seaweeds in the kitchen ? 
 
 
Often, when you use seaweeds in the kitchen, the color of the dishes is very dark. How to avoid it ? 
Concerning the color, there are many ways of discoloring... but I am not sure that they are safe. Often, pastry chefs who want to get white use titanium dioxide, but this is allowed (and safe) only for surfaces.

But indeed, why not fractionate first seaweeds, to get separately the compounds for the color, the odor, the taste, the consistency ?
Then you could use what you want.



And this is why note by note cooking is to fine !